Showing posts with label scroll painting. Show all posts
Showing posts with label scroll painting. Show all posts

29 September 2024

Brigandine armours of the Ming Dynasty (Revised 2024)

Introduction of brigandine to China

It is generally accepted that Chinese armies adopted brigandine armour due to Mongol influence, although curiously this seems to have only happened after the fall of Mongol-ruled Yuan Dynasty. To elaborate, there are scant few records that suggest Yuan army made use of brigandine armour at all, and most "evidences" seem to come from Qing and Joseon brigandines in Japan's Mongolian Invasion Historical Museum being erroneously attributed to Yuan period. Moreover, written records and a few armour finds from early Ming period also indicate that early Ming army was still predominantly equipped with lamellar armours.

The earliest written record that explicitly mentions brigandine armour comes from an armour regulation found in Collected Statutes of the Ming Dynasty (《大明會典》), dated to the ninth year of the reign of Hongzi Emperor (1496 A.D.), although the wordings of the statute suggest that brigandine armour was already known in China for some time already, albeit probably only in the not-too-distant past.

Ming soldiers wearing brigandines, from 'Zhen Wu Ling Ying Tu Ce (《真武靈應圖冊》)'.
Another possible evidence of early Ming brigandine comes from its depictions in Zhen Wu Ling Ying Tu Ce (《真武靈應圖冊》), a collection of daoist painted scrolls. Historians are still undecided on whether this scroll collection should be dated to the reign of Yongle Emperor (i.e. early 15th century) or to the twilight years of the Ming Dynasty (i.e. 17th century). Nevertheless, since it is known that Ming brigandine underwent significant style changes during Ming-Qing transition period, and yet the armours depicted here don't reflect the change, earlier date is more likely to be the correct one.

Thus, given the available evidence, at best an informed guess can be made that brigandine armour was introduced to China some time in the fifteenth century.

Styles and designs of Ming brigandines

1. Brigandine coat

Many variations in designs found on Ming brigandines (click to enlarge).
A Ming brigandine was a suit of armour with iron (or low carbon steel) plates fixed to a cloth cover from the inside using copper rivets. All Ming brigandines came in the form of a loose-fitting, single-breasted coat that somewhat resembles a modern gilet, albeit with huge variations in collar designs, sleeve designs, coat lengths, rivet patterns, and of course, colours.

Ming infantry kitted in various types of brigandines.

Ming cavalry kitted in various types of brigandines.
Nearly all variations of Ming brigandines were used by infantry and cavalry alike, although naturally foot soldiers would have different preferences and requirements from their mounted counterparts, causing some styles of brigandines to be more prevalent than others among certain troop types. Broadly speaking, for much of the Ming period foot soldiers preferred to wear short sleeved, hip length to knee length armours alone, whereas mounted troops preferred sleeveless or cap-sleeved brigandines of either waist length or ankle length, often combined with additional armour items such as Bi Fu (臂縛) and armorued skirts.

1.5. Auxiliary armour

Common Ming period auxiliary armours of brigandine construction (click to enlarge).
Brigandine also replaced lamellar in the construction of various auxiliary armours during Ming period. The most common brigandine auxiliary armour was the aventail of a helmet, which came in two main varieties: with or without separate cheek pieces. By the twilight years of Ming Dynasty, brigandine throat guard, underarm protector and front armour attachment also came into widespread use due to the introduction of a new style of brigandine armour (see below).

There's also some pictorial evidences that suggest that rectangular brigandine throat guard, of the type commonly associated with Qing armour, was actually already in use during Ming period.

2. Composite armour

Ming cavalry kitted in composite brigandine armours.
A rarer form of Ming brigandine seemingly reserved for mounted elite troops and guards, the so-called "composite armour" appeared to be a sleeveless, ankle-length brigandine coat reinforced with a different type of armour at the upper torso, which may be of scale, lamellar, brigandine, and possibly mail construction. It's yet unknown whether the upper torso armour was directly integrated into the brigandine coat, or simply a separate partial armour worn on top of a common brigandine coat.

Various forms of armours in use during late Ming period, from 'Bing Lu (《兵錄》)'. Third and fourth armour from the left are composite brigandines.
Late Ming period military treatise Bing Lu (《兵錄》) also contains two illustrations of ankle-length composite brigandines, one is a brigandine with lamellar skirt, another is a lamellar coat with brigandine skirt.

3. Late Ming period two-piece brigandine

Several Ming cavalry in two-piece brigandines, image cropped from 'Xing Jun Tu (《行軍圖》)', a late Ming copy of an earlier painting.
A new style of Ming brigandine largely supplanted (but likely did not completely phase out) older styles of armours during the twilight years of the Ming Dynasty. The new style consisted of a helmet with assorted brigandine aventail and a curved triangular throat guard, a sleeveless hip-length coat and an enlarged armoured skirt (often in mismatched colours), a pair of large underarm protectors, a square-shaped front armour attachment, as well as a pair of segmented Bi Fu armguards to make a whole set.

After the downfall of Ming Dynasty, the ascendant Qing Dynasty inherited the armour design, and the style eventually evolved into the iconic Qing brigandine upon further modifications.

26 April 2022

Patron only: Post-Ulsan skirmishes

6 December 2021

Patron only: Battle of Bantan

1 May 2020

Chinese arming garments: A preliminary look

UPDATED MAY 8, 2022


A recent comment from my other blog post reminds me that I have yet to write anything about Chinese arming garments, so this is the blog post that aims to provide some insight into various garments worn under and over Chinese armour. Unfortunately, there are very few written records and archaeological finds of Chinese armour padding, so I have to turn to period novels like Romance of the Three Kingdoms and Water Margin (both of which reflect the fashion of author's time) and other pictorial sources for reference. As such, be warned that this blog post is only a preliminary look and very much incomplete, although it is the best I can come out with until more information surfaces.

A divine messenger wearing the full suite of kerchief (light yellow) over Fu Tou (black), neckerchief (light yellow), Zhan Pao (green), Xiu Shan (red with blue border), Guo Du (light blue) and Han Yao (embroidered), but without visible armour. From 'San Jie Chi Fu Si Zhi Shi Zhe (《三界持符四直使者》)'.

27 June 2019

Chinese fortification: an overview of parts and terminology — Part 2: Gate and moat

UPDATED JUNE 10, 2024


2) The gate

The second part of this series will provide an overview on various components of Chinese gate, as well as their names. As before, italicised names are likely modern terminology.

2.1) Cheng Men (城門, lit. 'Wall gate')

As with all fortifications around the world, the gate is the most vulnerable—and often the most heavily fortified—part of a Chinese city. The Chinese term Cheng Men can refer to both the gate door itself, as well as the gatehouse securing the entrance. For clarity's sake I will separate gatehouse, gateway tunnel, and gate doors into three sections.

Gatehouse

Zhonghua Gatehouse of the city wall of Nanjing.

3 July 2018

The evolution of shields in China — Part 3: Song to Qing

The Five Dynasties and Ten Kingdoms that followed the downfall of Tang Dynasty was a period of chaos and upheaval. Eventually, the northeastern part of China largely fall under the dominion of Khitan Liao Dynasty, while various kingdoms of China proper eventually unified under Song Dynasty, very much like Northern and Southern Dynasties period.

Most of the recognisable designs and aesthetics of Chinese shield, such as painted-on tiger or dragon head motif, lack of shield boss, and strong preference of round and pentagonal shields, as well as free-standing shields, became firmly established during this period. While new shields continued to be introduced, they no longer deviate significantly from the established norms.

Song Dynasty (960 AD – 1279 AD)

Must like its Southern Dynasties predecessors, Song Dynasty faced constant threat from several enemies with overwhelming cavalry superiority, namely Khitans, Jurchens and Mongols, as well as Tanguts to a lesser extent. However, Song Dynasty's attempts to emulate the combined arms force of its predecessors had largely failed due to several factors, chief among them the prohibitive cost, as well as the lost of technical knowledge of military-grade wagon crafting (due to the fact that exceedingly powerful Tang cavalry made war wagon obsolete and its knowledge forgotten).

A heavily deteriorated mural found in an ancient tomb at Xinhua county, depicting an armoured soldier with an enormous shield. Based on the coinage found inside the tomb, it is believed to date to late Northern Song period.

3 December 2017

Military fireworks of the Ming Dynasty

Ming Chinese skyrocket fireworks
Section of the scroll painting 'Ru Bi Tu (《入蹕圖》)', depicting Emperor Shenzong's entourage launching firework rockets into the sky.

10 October 2017

Traditional Chinese and Byzantine armour components: A brief introduction and analysis

Chinese and Byzantine armour glossaries
Left: An unnamed general or guard in Chinese-style "Cataphract" armour. Middle: Wu Dao Jiang Jun (五道將軍), one of the Chinese deities of afterlife. Right: Saint Nicetas the Goth, Christian martyr and military saint of the Russian Orthodox Church.

3 June 2017

Movie review: God of War movie (《蕩寇風雲》)


The movie God of War is truly a breath of fresh air from the China's cinema scene. From the unimaginative bog that's choke-full of overused, money grabber adaptions of Romance of Three Kingdoms, Journey to the West and fictitious Wuxia stories, we finally get a proper historical war epic! This fact alone is enough to convince me to reach for my wallet, and the attention to details as well as accurate unfolding of historical events are just icing on the cake. What a pleasant surprise!

11 January 2017

Some random mythbustings — Wokou Edition

Many of the enemies of Ming Dynasty are equally as misunderstood as the Chinese themselves. Wokou (倭寇), or Japanese pirates, were a particularly misunderstood bunch.

Myth 1. Hai Jin (海禁, lit. 'Sea ban') or maritime trade prohibition constituted the Wokou phenomenon.

『倡海市以息亂者,全無後慮,且不知致亂之原蓋在於法弛,而非有嚴法以致之。吾恐市一開,而全浙危矣。』
"Those that suggest to open maritime trade in order to pacify the turmoil have no regard for consequences at all, and (they) have no idea that this chaos is caused by lawlessness instead of stringent law. I am afraid that if the trade is opened, entire Zhejiang will be in dire danger."
— Wan Biao (萬表), protesting the ridiculous notion of opening trade to pacify Wokou, in his book Hai Kou Yi (《海寇議》).

Wako pillage and rape
Wokou engaging in rape and pillage, from 'Tai Ping Kang Wo Tu (《太平抗倭圖》)'.

18 August 2016

Ming, Qing and Japanese armour components: A brief introduction and analysis

UPDATED NOVEMBER 10, 2022


Ming Qing Japanese Armour Glossaries
Left: An unnamed Ming Jin Yi Wei (錦衣衛, lit. 'Brocade-clad guard') in parade gear. Middle: Fu De (富德), a Manchu general of Plain Yellow Banner. Right: Yamanaka Yukimori (山中幸盛) with his characteristic crescent moon crested helmet.
This blog post is intended to be an introductory article to Chinese armours of Ming and Qing period, their individual components, as well as a comparison between their similarities and differences. I also included a Japanese armour to the analysis in the hope that it can highlight the design considerations that went into each of these armours.

23 June 2016

Enemy of the Ming — Jia Jing Da Wo Kou (嘉靖大倭寇) — Part 1

UPDATED DECEMBER 30, 2022


Section of the scroll painting 'Wakō-zukan (《倭寇図巻》)' currently kept at the University of Tokyo, depicting a Wokou raid. 

Cause of Jia Jing Da Wo Kou

Jia Jing Da Wo Kou (嘉靖大倭寇, lit. 'Great Japanese Pirates of Jiajing period') is a term that can be used to refer to both a specific period (roughly from 1546 to 1567 A.D.) that saw a drastic spike in piratical raids on Chinese soil, as well as the pirates that were active during said period. Despite being called "Japanese pirates", many Wokou were actually multinational/extranational and included Japanese, Europeans, Southeast Asians, as well as significant numbers of Chinese among their ranks. Nevertheless, it would be foolish, and in fact disingenuous, to use heavy Chinese involvement in Wokou activities as a basis to argue for the notion that Jia Jing Da Wo Kou was a “mostly Chinese phenomenon" caused by Ming Dynasty's draconian Haijin (海禁) policy forcing oppressed people to turn to a life of piracy. Such notion not only downplays and whitewashes the active involvement of foreign actors, but also ignores the multitudes of complex external factors that sparked the phenomenon.  

8 June 2016

Bi Fu (臂縛)

Ming Chinese Armguard
A pair of Bi Fu, from 'Wu Bei Zhi (《武備志》)'.

1 June 2016

Lamellar and scale armours of the Ming Dynasty

For most of China's history, lamellar armour and, to a much lesser extent, scale armour were the most widely used armour types in Chinese armies. The use of lamellar armour declined during Ming period, having given way to the more convenient yet no less protective brigandine. Nevertheless, it never disappeared completely from Chinese arsenal.

Generally speaking, there were several different styles of lamellar or scale armour in use during Ming period.

Traditional Song Dynasty-style "Ornate" Armour

Traditional Song Dynasty Ornate Armour
Section of an early Ming Dynasty religious scroll painting, depicting a Chinese general in an ornate suit of composite armour. Shanxi Museum.
This type of armour was one of the most recognisable of Chinese armours, and was usually reserved for the highest ranking generals and Jin Yi Wei (錦衣衛). It could be of either lamellar, scale, mountain pattern or even mail construction, or a composite of multiple types. As this type of armour was often ornamental in nature, it was usually made of bronze or gilded iron/steel. Field armour of this style also existed, but never common.

22 May 2016

Famous Military Unit of the Ming Dynasty — Tu Bing (土兵)

UPDATED DECEMBER 7, 2022


Ming Dynasty auxiliary light infantry
Section of the scroll painting 'Wakō-zukan (《倭寇図巻》)', depicting Ming troops wearing white headscarves and armed with pole sickles, matching with what's been known about Tu Bing's appearance.

3 May 2016

Ming Chinese cavalry tactics — Part 1

Section of the Ming Dynasty scroll painting 'Ping Fan De Sheng Tu (《平番得勝圖》)', depicting Ming cavalry chasing rebel horsemen.

10 April 2016

Flails of the Ming Dynasty

Tie Lian Jia Bang (鐵鏈夾棒, lit. 'Iron chain with clubs')

Chinese Infantry Flail
Drawing of a Tie Lian Jia Bang, from 'Wu Bei Zhi (《武備志》)'.
Tie Lian Jia Bang was the Chinese version of two-handed infantry flail. It was also known as Lian Ting (連梃, lit. 'Linked staff'), Lian Jia Bang (連耞棒), and several other names.

Early references of this weapon can be found in the works of Warring States period Mo Zi (《墨子》) and Tang period Tong Dian (《通典》). However, according to Song period Wu Jing Zong Yao (《武經總要》), this weapon originated from a specialised cavalry weapon used by the nomadic enemies of China.

Qing Dynasty Dual Wielding Flails
A pair of flails, from 'Huang Chao Li Qi Tu Shi (《皇朝禮器圖式》)'.
During Qing period, flail became associated with Han Jun (漢軍, lit. 'Han Banners'). Qing flails were generally smaller and usually used in pairs.

Nowadays this weapon is known as Shao Zi Gun (梢子棍) and Pan Long Gun (盤龍棍, lit. 'Coiling dragon staff') by the Chinese martial arts communities.

Lian Zhu Shuang Tie Bian (連珠雙鐵鞭, lit. 'Linked bead double iron whip')

Drawing of a Lian Zhu Shuang Tie Bian (highlighted), from 'Wu Bei Zhi (《武備志》)'.
Lian Zhu Shuang Tie Bian was a variant of common infantry flail that had two connected striking ends, making it an early predecessor of three-section staff.

Ball-and-chain-flail

Chinese ball-and-chain flail
Ming period painting of Lei Gong (雷公), Chinese god of thunder, with a ball-and-chain flail. The Metropolitan Museum of Art.
While extremely uncommon, ball-and-chain flail was known to the Chinese. However, whether this weapon was actually used on the battlefield is anyone's guess.

16 February 2016

Some thoughts on why Chinese never developed complex hilts on their swords

Ming Dynasty jian sword
Extant jian probably dated to Ming period.
"Why Chinese/Japanese/other cultures never developed complex hilt" is a question that seems to be brought up fairly often. In honesty, this question feels quite Eurocentric to me, as it presuppose the development of European-style complex hilt as the natural and superior evolution of sword design, while in reality complex hilt appeared quite late and was more of an exception rather than the norm. The question should be rephrased "Why no one but Renaissance Europeans developed complex hilts", given that most non-European complex hilted swords such as Indian Khanda (खंडा) and Chinese Hu Die Dao (蝴蝶刀, butterfly sword) were likely influenced/inspired by European designs and not of local development.

22 December 2015

The ghost-faced warrior monks of the Shaolin Monastery

Shaolin Wushu Monk
Section of a mural depicting Shaolin warrior monks training with their weapons. From 'Shao Lin Wu Seng He Lian Tu (《少林武僧合練圖》)',  Shaolin Monastery, Henan province.

9 December 2015

Ming Chinese infantry tactics — Part 1

Ming Dynasty Infantry
Large number of  Ming infantrymen, from  'Wakō-zukan (《倭寇図巻》)'.

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