Showing posts with label ubiquitous. Show all posts
Showing posts with label ubiquitous. Show all posts

29 September 2024

Brigandine armours of the Ming Dynasty (Revised 2024)

Introduction of brigandine to China

It is generally accepted that Chinese armies adopted brigandine armour due to Mongol influence, although curiously this appears to have occurred only after the fall of the Mongol-ruled Yuan Dynasty. To elaborate, there are very few records suggesting that the Yuan army made use of brigandine armour at all, and most 'evidence' seems to stem from Qing- and Joseon-era brigandines in Japan’s Mongolian Invasion Historical Museum being erroneously attributed to the Yuan period. Moreover, written records and a few armour finds from the early Ming period also indicate that the early Ming army was still predominantly equipped with lamellar armour.

The earliest written record that explicitly mentions brigandine armour comes from an armour regulation found in the Collected Statutes of the Ming Dynasty (《大明會典》), dated to the ninth year of the reign of the Hongzhi Emperor (1496 A.D.). However, the wording of the statute suggests that brigandine armour was already known in China for some time—albeit probably only in the not-too-distant past.

Ming soldiers wearing brigandines, from 'Zhen Wu Ling Ying Tu Ce (《真武靈應圖冊》)'.
Another possible piece of evidence for early Ming brigandine comes from its depictions in Zhen Wu Ling Ying Tu Ce (《真武靈應圖冊》), a collection of Daoist painted scrolls. Historians remain undecided on whether this scroll collection should be dated to the reign of the Yongle Emperor (i.e. early 15th century) or to the twilight years of the Ming Dynasty (i.e. 17th century). Nevertheless, since it is known that Ming brigandine underwent significant style changes during the Ming–Qing transition period, yet the armours depicted here do not reflect those changes, an earlier date is more likely to be the correct one.

Thus, given the available evidence, at best an informed guess can be made that brigandine armour was introduced to China some time in the fifteenth century.

Styles and designs of Ming brigandines

1. Brigandine coat

Many variations in designs found on Ming brigandines (click to enlarge).
A Ming brigandine was a suit of armour with iron (or low-carbon steel) plates fixed to a cloth cover from the inside using copper rivets. All Ming brigandines took the form of a loose-fitting, single-breasted coat that somewhat resembled a modern gilet, albeit with considerable variations in collar designs, sleeve designs, coat lengths, rivet patterns, and, of course, colours.

Ming infantry kitted in various types of brigandines.

Ming cavalry kitted in various types of brigandines.
Nearly all variations of Ming brigandines were used by infantry and cavalry alike, although naturally foot soldiers would have had different preferences and requirements from their mounted counterparts, causing some styles of brigandine to be more prevalent than others among certain troop types. Broadly speaking, for much of the Ming period foot soldiers preferred to wear short-sleeved, hip-length to knee-length armours alone, whereas mounted troops preferred sleeveless or cap-sleeved brigandines of either waist length or ankle length, often combined with additional armour items such as Bi Fu (臂縛) and armoured skirts.

1.1 Auxiliary armour

Common Ming period auxiliary armours of brigandine construction (click to enlarge).
Brigandine also replaced lamellar in the construction of various auxiliary armours during the Ming period. The most common brigandine auxiliary armour was the aventail of a helmet, which came in two main varieties: with or without separate cheek pieces. By the twilight years of the Ming Dynasty, brigandine throat guards, underarm protectors, and front armour attachments also came into widespread use, owing to the introduction of a new style of brigandine armour (see below).

There is also some pictorial evidence suggesting that the rectangular brigandine throat guard—of the type commonly associated with Qing armour—was actually already in use during the Ming period.

2. Composite armour

Ming cavalry kitted in composite brigandine armours.
A rarer form of Ming brigandine, seemingly reserved for mounted elite troops and guards, was the so-called 'composite armour'. It appeared to be a sleeveless, ankle-length brigandine coat reinforced with a different type of armour at the upper torso, which may have been of scale, lamellar, brigandine, or possibly mail construction. It remains unknown whether the upper-torso armour was directly integrated into the brigandine coat or was simply a separate partial armour worn over a common brigandine coat.

Various forms of armours in use during late Ming period, from 'Bing Lu (《兵錄》)'. Third and fourth armour from the left are composite brigandines.
The late Ming period military treatise Bing Lu (《兵錄》) also contains two illustrations of ankle-length composite brigandines. One depicts a brigandine coat with a lamellar skirt, while the other shows a lamellar coat with a brigandine skirt.

3. Late Ming period two-piece brigandine

Several Ming cavalry in two-piece brigandines, image cropped from 'Xing Jun Tu (《行軍圖》)', a late Ming copy of an earlier painting.
A new style of Ming brigandine largely supplanted (but likely did not completely phase out) older styles of armour during the twilight years of the Ming Dynasty. The new style consisted of a helmet with assorted brigandine aventail and a curved triangular throat guard, a sleeveless hip-length coat and an enlarged armoured skirt (often in mismatched colours), a pair of large underarm protectors, a square-shaped front armour attachment, as well as a pair of segmented Bi Fu armguards to make a whole set.

After the downfall of the Ming Dynasty, the ascendant Qing Dynasty inherited the armour design, and the style eventually evolved into the iconic Qing brigandine upon further modifications.

19 November 2017

Arrows of the Ming Dynasty

Archery had always been one of the most important cultural aspects of China. Considered one of the Six Gentlemanly Arts in Confucian philosophy, archery played important roles in military, hunting, communication, and entertainment. China was also the first to create formalised ceremonial archery in Asia (which later influenced/inspired similar customs in Korea and Japan), and one of the last to gave up archery as a serious military weapon.

Naturally, Chinese people's high regard of archery led to the development of various specialised arrows suitable for different purposes. By Ming period, there was already a wide variety of arrows in use, with a peculiar focus on anti-horse arrow.

Bow-launched arrow

Drawing of a Dian Tong Jian (highlighted), from 'San Cai Tu Hui (《三才圖會》)'.
  • Dian Tong Jian (點銅箭, lit. 'Bronze head arrow'): A general term applicable to any arrow with a bronze arrowhead.

30 September 2015

Bows of the Ming Dynasty

Despite the importance of archery in Chinese culture and warfare, very little is known about Ming bows because of their eventual complete replacement by Manchu bow and its derivatives. In fact, much of the knowledge about Ming bows come from studies of written records, period artworks as well as experimental reconstructions. While these studies produced fruitful results, they remain (and will continue to remain) speculative.

Generally speaking, Ming bows exhibited strong influence from other Asiatic composite recurve horsebows such as Mongol, Tartar and Turkish bows. They could be categorised into two general groups: Xiao Shao Gong (小稍弓) and Da Shao Gong/Kai Yuan Gong (大稍弓/開元弓).

Xiao Shao Gong (小稍弓, small siyah bow)

Drawing of a Xiao Shao Gong, from 'Wu Bei Zhi (《武備志》)'.

26 June 2015

Swords and sabres of the Ming Dynasty

Chinese Swords and Sabres
Drawings of various types of Ming Dynasty swords and sabres. From left to right: Two Jian, a Yao Dao, a Chang Dao, and a Duan Dao. From 'Wu Bei Zhi (《武備志》)'.

Classification of Chinese swords often posed a great challenge to Westerners (and just as confusing to the Chinese themselves) because Chinese swords do not fit readily into existing typologies. The Chinese also lacked an authoritative, systematic typology of sword types such as that of the Oakeshott typology.

This blog post is intended to be an introductory article to the swords and sabres of the Ming Dynasty. Please note that the terms used here are what we call "collector's jargon" (i.e. classification used by sword collectors and antique sellers). They are not historical terms*, and are not meant to be academically authoritative (although most Chinese academics do follow the classification).

Historical terms for one-handed Chinese sabre are Yao Dao (腰刀)Duan Dao (短刀, short sabre), Gun Dao (滾刀, lit. 'Rolling sabre', exact meaning unknown), Shou Dao (手刀, lit 'Hand sabre') and Ma Dao (馬刀, cavalry sabre). All of these terms are generic.

27 April 2015

Breech-loading cannons of the Ming Dynasty

UPDATED MAY 7, 2022, minor update DECEMBER 31, 2025


Large Fo Lang Ji from the Nanjing City Wall Museum.
Fo Lang Ji (佛郎機, lit. 'Frankish engine'), named after the Chinese name for Portuguese people (itself a Chinese transcription of related terms farang/farangi/ferenggi, used in the Muslim world to refer to White Europeans), was the Chinese version of breech-loading swivel gun, which they reverse-engineered from the Portuguese. 

Fo Lang Ji actually entered Chinese arsenal surprisingly early—the weapon came to the attention of the Ming court in October 1517, after a translator working on a Portuguese ship (likely a part of Fernão Pires de Andrade's fleet, which visited China in the same year) gifted a cannon and gunpowder formula to Gu Ying Xiang (顧應祥) during an anti-piracy operation. However, Imperial prince Zhu Chen Hao (朱宸濠) already manufactured some Fo Lang Ji in secret as early as May 1517 in preparation for his rebellion two years later, suggesting that the general populace may have learnt of this weapon well before the Ming court. In any case, after Sino-Portuguese relations turned sour, Ming navy sent to evict the Portuguese from Guangdong quickly found itself at the receiving end of this devastating weapon during Battle of Tunmen in 1521. In the ensuing blockade, Deputy Marine Commissioner (海道副使) Wang Hong (汪鋐), through military inspector He Ru (何儒) acting as an undercover agent, successfully enticed two Chinese sailors working for the Portuguese to defect. With the technical know-how acquired from these defectors, Wang Hong successfully reverse-engineered the Fo Lang Ji in a little under 40 days, then proceeded to use the new weapon to defeat the Portuguese. 

After the conflict, Wang Hong became a fervent advocate of the Fo Lang Ji and wrote several memorials to the throne to promote the weapon. In 1523, Beijing arsenal began to manufacture the Fo Lang Ji on an official basis, soon followed by Nanjing arsenal in 1524. By 1529, a mere seven years after the initial production run, virtually the entire country had been equipped with this new weapon. The Fo Lang Ji quickly supplanted older Chinese cannons and became the most important artillery piece in the Ming arsenal. 

Fo Lang Ji (佛郎機)

A standard Fo Lang Ji swivel gun, from 'Lian Bing Za Ji (《練兵雜紀》)'.
While the basic design of Fo Lang Ji was virtually unchanged from its Portuguese predecessor, Chinese gunsmiths created a great number of variant designs of nearly every size, power, and platform imaginable, ranging from downsized handheld guns, to standard-sized models mounted on small gun carriages or saddle frames similar to zamburak, to heavier piece mounted on war carts, warships and gun emplacements.

Ying Zhua Fo Lang Ji (鷹爪佛狼機, lit. 'Eagle talon Frankish engine')

Drawing of a Ying Zhua Fo Lang Ji, from 'Wu Bei Ji Yao (《武備集要》)'.
Ying Zhua Fo Lang Ji was simply a small Fo Lang Ji mounted on a three chi tall iron spiked tripod (which gave the weapon its name).


Fei Shan Shen Pao (飛山神砲, lit. 'Flying mountain divine cannon')

Fei Shan Shen Pao
Drawing of a Fei Shan Shen Pao, from 'Lian Bing Za Ji (《練兵雜紀》'.
Fei Shan Shen Pao was a medium-weight Fo Lang Ji with two pair of trunnions.

Wu Di Da Jiang Jun (無敵大將軍, lit. 'Invincible great general')

Chinese Giant Breechloading Cannon
Drawing of a Wu Di Da Jiang Jun, from 'Lian Bing Za Ji (《練兵雜紀》)'.
Wu Di Da Jiang Jun was a heavy breech-loading cannon primarily designed for close range anti-personnel purpose. A single blast from this cannon could rain death over a very large area in a manner not unlike a giant shotgun—each of its three chambers were loaded with one heavy stone ball and a whopping 365 iron pellets—although the stone ball was still capable of pulverising walls and buildings.

Weighing one thousand and fifty jin (619.5 kg or 1,366 lbs), Wu Di Da Jiang Jun was one of the heaviest cannons in Ming arsenal until the advent of Hong Yi Pao (紅夷砲). Regrettably, while it was undoubtedly devastating, Wu Di Da Jiang Jun was actually slightly underpowered for a cannon of this size due to its breech-loading nature, relatively short barrel, and the fact that its projectile weight and black powder load were limited by the size of its chamber. These shortcomings eventually led to the development of lighter and more powerful Ye Gong Shen Chong (葉公神銃).

Wu Di Shen Fei Pao (無敵神飛砲, lit. 'Invincible divine flying cannon')

Chinese Breech-loading Gun
Drawing of a Wu Di Shen Fei Pao, from 'Ji Xiao Xin Shu (《紀效新書》)'.
Wu Di Shen Fei Pao, sometimes shortened to Shen Fei Pao (神飛砲, lit. 'Divine flying cannon'), was a slightly shortened naval variant of Wu Di Da Jiang Jun. Each of its three chambers were loaded with a heavy stone ball and 200 iron pellets, although iron pellets were sometimes omitted to increase the power of stone ball.

Like its land-bound counterpart, Wu Di Shen Fei Pao was the heaviest naval artillery available to Ming navy until the advent of Hong Yi Pao.

Shen Fei Pao (神飛砲, lit. 'Divine flying cannon')

Drawing of a Shen Fei Pao, from 'Jun Qi Tu Shuo (《軍器圖說》)'.
Recorded in seventeenth century military treatise Jun Qi Tu Shuo (《軍器圖說》)', Shen Fei Pao appears to be a streamlined and more powerful version of Wu Di Da Jiang Jun/Wu Di Shen Fei Pao, lacking the iron rings used for lifting the cannon found on Wu Di Da Jiang Jun, but came with gunsight-equipped, wrought iron chambers.

The largest "Mark 1" Shen Fei Pao was 8 chi (256 cm or 8'5") in length and 1,000 jin (590 kg or 1300 lbs) in weight. Its five chambers were 1 chi 5 cun (48 cm or 1'7") in length, 80 jin (47.2 kg or 104 lbs) in weight, and had a bore size of 7 cun (22.4 cm or 8.8"). They were typically loaded with either a heavy 25 jin (14.75 kg or 32.5 lbs) stone ball, or 200 stone pellets plus 500 iron pellets (but not both at the same time unlike Wu Di Da Jiang Jun/Wu Di Shen Fei Pao), propelled by 5 jin (2.95 kg or 6.5 lbs) of black powder.

Other variants

There were also many known models of Fo Lang Ji without accompanying illustrations. Examples include Ma Shang Fo Lang Ji (馬上佛郎機, lit. 'Horseman's Frankish engine') designed to be used on horseback, Lian Zhu Fo Lang Ji Pao (連珠佛朗機砲, lit. 'Rapid fire Frankish engine'), an iron double-ended Fo Lang Ji with shortened barrels, as well as Liu Xing Pao (流星砲, lit. 'Shooting star cannon'), a type of brass Fo Lang Ji with rectangular-shaped open breech and lengthened barrel.

25 March 2015

Chang Qiang (長鎗)

Ming Dynasty Chang Qiang
Drawing of a Chang Qiang, from 'Ji Xiao Xin Shu (《紀效新書》)'.
Chang Qiang (長鎗, long spear) was a very long weapon. In fact, it was the longest melee weapon in the Ming arsenal, longer than all other types of Chinese spear it replaced. It was effectively the Chinese equivalent of pike. The shaft of a Chang Qiang could be made of either wood or bamboo. Bamboo Chang Qiang was generally significantly longer than the wooden version, reaching as long as two zhang four chi in length. However, bamboo shaft was generally softer, less durable, and very hard to parry with.

24 March 2015

Tang Pa (鎲鈀)

Drawing of a military-style Tang Pa, from 'Bing Lu (《兵錄》)'.

20 March 2015

Cotton and brigandine armours of the Ming Dynasty

Mian Jia (棉甲, cotton armour)

Ming Chinese Gambeson
Section of one of the pages of 'Rui Xi Xian Sheng Nian Pu (《瑞溪先生年譜》)', depicting a horseman wearing a long coat with cross hatch quilting pattern, possibly a cotton armour.

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